SHOWTIME, a mockumentary film narrating the process behind the making of an imaginary fashion show, as an integral part of Fey Fey Worldwide Spring/Summer 2024 collection a soft fashion designer. SHOWTIME is directed by Lishan Liu and co-written by Liby Hays. All cast members involved are friends and actual participants in the fashion industry who play themselves. And everyone on screen is wearing clothes from Fey Fey Worldwide S/S24. The maker is the wearer!

Starring Fey Fey Yufei Liu, Ranxelle Soria, Nat Carlson, Liby Hays, Joyce Keokham, Jackie Shuya Tan, Ninghui Yang, Aaron Atsuo Shanmugaratnam, Mimi Nan Jiang, Ruby Rodgers, Chloe Cowan, Precious Star, Violet Elizabeth Batista, Mannat Kaur, Naicha Mercier, Amigo, Eddie Yu and Sebastian Bidegain

September 12, at 8:00PM: Fey Fey Worldwide premieres SHOWTIME, a mockumentary film narrating the process behind the making of an imaginary fashion show, as an integral part of Fey Fey Worldwide Spring/Summer 2024 collection a soft fashion designer. SHOWTIME is directed by Lishan Liu and co-written by Liby Hays. All cast members involved are friends and actual participants in the fashion industry who play themselves. And everyone on screen is wearing clothes from Fey Fey Worldwide S/S 24.

Teaser for SHOWTIME.

STARRING Liby Hays BOX DELIVERY Sebastian Bidegain, Eddie Yu

Chalky was speeding home in his car, passing a field. He stopped at the side of the road and came down to take a leak. At this time, a gust of wind blew the hat on Chalky's head away. Looking at the hat flying in the air, Chalky's thoughts also chased away, his mind suddenly woke up in the middle of the night, opened his eyes and saw his wife sitting on the toilet humming and peeing. Messy hair fluffed on top of his wife's head with strands of hair hanging loose in front of the face, nearsighted Chalky only remembered that wonderful pink silhouette with a watery haze that soon led him to sleep again. He came back to serious thoughts: "When I pee, I miss my wife the most." At this moment, he loves his wife so much that he returned to the car and just wanted to get back to her immediately.

Love your wife, Fey Fey Worldwide

It must be something stupid and profound at the same time. WIFE is your love, your desire, your projection, your ideology. You have lots of thoughts in mind. But all you can say is “I LOVE MY WIFE SO MUCH”.

Collection Presentation in Sculpture Center with Viscose Journal 03 Launch.

Costume Design for video The Protagonist, directed by Peng Ke.

Commissioned by Being Theoria - 4th Hangzhou Triennial of Fiber Art

Single-channel video, color, sound; 15:45 minutes After visiting the Misai Silk Factory, the artist was fascinated with an intuitive and instinctive sensory stimulation. In the rainy days of late winter and early spring, the steamy factory floor was primitive and lively. The air is filled with the smell of dilapidated animal carcasses in boiling water, and the salty smell of sea water. The large-scale industrial machinery echoes the slender and skillful movements of the female factory workers, and the small, wrapped and round cocoons cycle back and forth in the cold and stiff machine, the whole factory looks like a huge interwoven heterogeneous creature.

"The Protagonist" is a semi-fictional narrative single-channel video. Segments in the work include field reports, interviews shot indoors and parody. During multiple visits, the artist recorded the production space of Misai’s century-old silk factory, from silkworm spinning to raw silk making. The team also made jewelry pieces for the female workers to wear while working. Several"protagonists" dressed in costumes also appeared in the work. They shared stories about their distress, comfort, tasks and the meaning of labor as a cocoon-shaped person in the collective society.

A suffering tragedy to celebrate a new start of Fey Fey WORLDWIDE. While the red drape opens, fey-fey sacrifices all her body and hearts to the fabric of suffering. "Fashion is such a drag, design is such a drag, sewing is such a drag, presentation is such a drag, models wear it drag, selling is the greatest drag of all. I want to give up. I wish the suffering would end. My destructive gene still calls me back toward it. No more hesitation, This is the decision. This is gambling. Since then, I decided to devote myself to the FASHION TO SUFFER BY."

The project started with my investigation of contemporary femininity in what women wear. While men in 2020s no longer need to imply their social status through their outfit anymore, women are still judged by society based on their clothing. Women often change ourselves, and adjust our behavior to carry the weight of how female bodies are treated in the society. With a struggle to be respected, contemporary women dress to be elegant, be sexy, be tender, and also dress to be wise, be virtuous, be skilled, be professional, and equally capable to men. Personally, as an asian women residing in western countries, I am disturbed by how I always inevitably “choose” to dress up, to be taken seriously by others. I put the “right” clothes on for different occasions. The “proper, professional” clothes make people nicer to me. But I feel smaller.My presense is indifferent. The space has eaten me. I am tired of being pushed back, against subtle violations of my femininity. The ideas is that women not only laugh at jokes but also make the jokes. Humorously playing the tension between “space” and “female iconography”, I decide to take up space. I am serious about being unserious. Being rude to those who are used to be making myself small, the collection of clothes is about my presence now. The bigger the clothes inflates, the larger the space I occupy. It was always my space, but now they are aware and they move aside.

Using symbols and metaphors which are commonly connected to females, and also familiar fabrics and prints associated with everyday womenswear, however in an unexpected assembling, I intend to show genuine stories of 100% women: female boss, worker, celebrity, office lady, wife, mother, daughter... myself, as well as the “invisible” female labor who make my clothes in the factory. Transforming from understated everyday clothes silhouette, the garments inflate to just giant weird shapes, SHE Slowly But Surely Takes Up Space. Homonymous Performance in Capc Musée d’art contemporain de Bordeaux, 21 May 2022

Feyfey Worldwide – Présentation de collection dans L’Académie des Mutantes.

L'ACADÉMIE DES MUTANTES // FEY FEY WORLDWIDE Mode ‒ Activation de collection // L'Académie des Mutantes // https://www.capc-bordeaux.fr/en/node/2126

100% Air Purse on Billboard! Where? In Madrid.

100% Air Purse on Billboard! Where? In Madrid.

Relaxed and unconcerned.made or done without much thought or premeditation. done or acting in a desultory way.done or acting without sufficient care or thoroughness.not regular or permanent.employed or established on a temporary or irregular basis.(of a sexual relationship or encounter) occurring between people who are not regular or established sexual partners.happening by chance; accidental.without formality of style or manner, in particular (of clothing) suitable for everyday wear rather than formal occasions.

Collaboration with 2020 Magazine. An annual guide for the year that’s about to start. This, 00, is the first issue. A yearbook made from different perceptions about what's to come. Taking the idea from the fashion calendar, 12 authors from different branches are presenting their vision about the ideas, images and trends for 2020 that have been developed from the year before. An exercise about the immediate future from 12 different perspectives, one for each month.

Fey Fey Worldwide, as one of the 12 authors, contributes the visionary project "Hairstyle Helmets". Commencing with an assemblage of physical bike helmets adorned with an array of wig and fur-based hairstyles, the project gradually evolves into a collection of 3D renderings depicting various hairstyles in the context of hair loss city commuters — an engaging facet incorporated into the magazine's astrology predictions, reminiscent of the classic content found within traditional publications.

A collection balances a fold idea between formality and intimacy, office-wears and bedroom-wears.